Ryan's post brought a whole new aspect to this play that I had never considered before. Since our class is so focused on religious themes in these works, I never really think of historical context outside of that. Ryan says that he first studied this play in an Irish literature class. I did not look up the history of Beckett or Waiting for Godot, so I did not realize this was a staple in Irish literature. I am familiar with the struggles between the Irish and the British. With that in mind, Ryan points out that Pozzo's arrogance is a parallel to how the British felt they were rulers (or lords, if you will) over Ireland. I only saw Pozzo as seeing himself as a god/God, so it was interesting to have this other perspective. Also, I am glad that Ryan mentioned that he saw a film version of this play (if I am remembering that correctly...) because I think this is a production that I'd need to actually see, as oppose to read, to appreciate more. 

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